{"id":7178,"date":"2019-05-02T07:50:22","date_gmt":"2019-05-02T06:50:22","guid":{"rendered":"http:\/\/boomer.pt\/a-cor-diferenca-entre-cor-luz-e-cor-pigmento\/"},"modified":"2019-05-02T07:50:22","modified_gmt":"2019-05-02T06:50:22","slug":"a-cor-diferenca-entre-cor-luz-e-cor-pigmento","status":"publish","type":"post","link":"https:\/\/boomer.pt\/raiodoblog\/a-cor-diferenca-entre-cor-luz-e-cor-pigmento\/","title":{"rendered":"A cor: diferen\u00e7a entre cor-luz e cor-pigmento"},"content":{"rendered":"\t\t
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A cor: diferen\u00e7a entre cor-luz e cor-pigmento<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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As cores est\u00e3o t\u00e3o presentes no nosso dia-a-dia que quase n\u00e3o lhe damos a devida import\u00e2ncia. Na verdade, a cor \u00e9 indissoci\u00e1vel de v\u00e1rias \u00e1reas, desde ci\u00eancia \u00e0 arte, ou mesmo do t\u00e9cnico ao est\u00e9tico.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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As cores est\u00e3o t\u00e3o presentes no nosso dia-a-dia que quase n\u00e3o lhe damos a devida import\u00e2ncia. Na verdade, a cor \u00e9 indissoci\u00e1vel de v\u00e1rias \u00e1reas, desde ci\u00eancia \u00e0 arte, ou mesmo do t\u00e9cnico ao est\u00e9tico.<\/p>

\u00a0<\/p>

A cor que os nossos olhos interpretam est\u00e1 dividida em dois tipos:<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Cor-luz e cor pigmento<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Cor-Luz<\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A cor-luz \u00e9 toda a cor formada pela emiss\u00e3o direta de luz, como a cor emitida por monitores, lanternas, televis\u00e3o, ou seja, qualquer objeto que emita luz. RGB \u00e9 o sistema pertencente ao grupo da cor-luz \u2014 onde as cores prim\u00e1rias s\u00e3o o vermelho, o verde e o azul (Red, Green e Blue). Se combinarmos as tr\u00eas cores temos a cor branca, tendo o total m\u00e1ximo de adi\u00e7\u00e3o de luz. No caso da cor-luz, a cor preta apenas \u201caparece\u201d na aus\u00eancia de luz. Pode obter-se luz de qualquer cor a partir da sobreposi\u00e7\u00e3o das tr\u00eas cores prim\u00e1rias da luz: vermelho, verde e azul.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Cor-Pigmento<\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Historicamente, as cores prim\u00e1rias s\u00e3o o azul, o vermelho e o amarelo (sistema RYB), como Leonardo da Vinci estabeleceu na sua teoria das cores. Durante s\u00e9culos, os artistas utilizaram essas cores prim\u00e1rias para formar as v\u00e1rias cores presentes nos seus quadros. Sabe-se hoje que o sistema RYB \u00e9 cientificamente incorreto. Atualmente, o termo CMYK \u2013 que tem como cores prim\u00e1rias o Ciano, Magenta e o Amarelo (Cyan, Magenta e Yellow) \u2013 \u00e9 o comummente aceite para o processo de mistura dos pigmentos. O \u201cK\u201d do termo \u201cCMYK\u201d refere-se \u00e0 cor preta que serve para dar contraste \u00e0s cores. Ao inverso do sistema RGB, na cor pigmento (CMYK) a mistura \u00e9 feita de forma subtrativa, pois quanto mais pigmentos (cor) adicionarmos, mais escura (menos reflec\u00e7\u00e3o de luz) ser\u00e1 a cor.<\/p>

A combina\u00e7\u00e3o de duas cores prim\u00e1rias d\u00e1 origem \u00e0s cores secund\u00e1rias. E a mistura de uma cor prim\u00e1ria com uma ou mais secund\u00e1rias cria as cores terci\u00e1rias.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Caracter\u00edsticas<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Todas as cores apresentam tr\u00eas caracter\u00edsticas: matiz, satura\u00e7\u00e3o e brilho.<\/p>

\u00a0<\/p>

\u2014 Matiz \u00e9 a defini\u00e7\u00e3o de uma cor. Azul, vermelho e amarelo s\u00e3o matizes. Quando misturamos azul e amarelo, criamos outro matiz: verde. A mistura de matizes d\u00e1 origem a outro matiz.<\/p>

\u2014 Satura\u00e7\u00e3o tem que ver com o brilho da cor. Um matiz de intensidade alta \u00e9 mais brilhante como, por exemplo, a cor amarela. Um matiz com a satura\u00e7\u00e3o baixa \u00e9 mais \u201csuave\u201d como, por exemplo, as cores past\u00e9is.<\/p>

\u2014 Brilho refere-se \u00e0 maior ou menor quantidade de luz presente na cor. Ao adicionarmos preto a um matiz, ela fica mais escura. Acrescentando branco a um matiz, temos cores mais claras.<\/p>

\u00a0<\/p>

Para um designer, a\u00a0utiliza\u00e7\u00e3o correta das cores<\/a>\u00a0\u00e9 um dos elementos fundamentais para uma boa comunica\u00e7\u00e3o. A diferen\u00e7a aqui explicada ajuda a perceber qual o formato de cor que deve ser utilizado.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Em toda a parte do mundo, as cores t\u00eam significados e interpreta\u00e7\u00f5es diferentes, mas falaremos disso noutro dia, pois ainda h\u00e1 muito a dizer n\u2019O raio do blog!\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

As cores est\u00e3o t\u00e3o presentes no nosso dia-a-dia que quase n\u00e3o lhe damos a devida import\u00e2ncia. Na verdade, a cor \u00e9 indissoci\u00e1vel de v\u00e1rias \u00e1reas, desde ci\u00eancia \u00e0 arte, ou mesmo do t\u00e9cnico ao est\u00e9tico.<\/p>\n","protected":false},"author":2,"featured_media":7177,"comment_status":"open","ping_status":"open","sticky":false,"template":"elementor_theme","format":"standard","meta":{"footnotes":""},"categories":[98],"tags":[131,130,156,140,154,151,139,148,133,132],"class_list":["post-7178","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-design","tag-agencia-digital","tag-agenciademarketing","tag-ai","tag-branding","tag-design","tag-gestaoredesosciais","tag-marca","tag-marketingdigital","tag-redessociais","tag-vila-nova-de-famalicao"],"yoast_head":"\nA cor: diferen\u00e7a entre cor-luz e cor-pigmento - BOOMER<\/title>\n<meta name=\"description\" content=\"As cores est\u00e3o t\u00e3o presentes no nosso dia-a-dia que quase n\u00e3o lhe damos a devida import\u00e2ncia. 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